fuckyeahvintageillustration:

‘Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.
“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”
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fuckyeahvintageillustration:

‘Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.
“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”
Source
Zoom Info
fuckyeahvintageillustration:

‘Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.
“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”
Source
Zoom Info
fuckyeahvintageillustration:

‘Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.
“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”
Source
Zoom Info
fuckyeahvintageillustration:

‘Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.
“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”
Source
Zoom Info
fuckyeahvintageillustration:

‘Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.
“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”
Source
Zoom Info
fuckyeahvintageillustration:

‘Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.
“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”
Source
Zoom Info
fuckyeahvintageillustration:

‘Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.
“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”
Source
Zoom Info
fuckyeahvintageillustration:

‘Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.
“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”
Source
Zoom Info

fuckyeahvintageillustration:

Figures Décoratives’ by Alphonse Mucha. Published 1905 by Librairie Centrale des Beaux Arts, Paris.

“This beautiful folio reflects Alphonse Mucha’s mastery of the female form. As Art Nouveau’s most influential artist, Mucha renders women and their sensuality in sensitive detail, his classic curvilinear lines accompanying compositions of women in natural settings.”

Source